The Symbolism of the Badge

The badge on a Trade Unionist’s coat is a piece of poetry in the genuine, lucid, and logical sense in which Milton defined poetry (and he ought to know) when he said that it was simple, sensuous, and passionate. It is simple, because many understand the word “badge,” who might not even understand the word “recognition.” It is sensuous, because it is visible and tangible; it is incarnate, as all the good Gods have been; and it is passionate in this perfectly practical sense, which the man with an eye to business may some day learn more thoroughly than he likes, that there are men who will allow you to cross a word out in a theoretical document, but who will not allow you to pull a big button off their bodily clothing, merely because you have more money than they have. Now I think it is this sensuousness, this passion, and, above all, this simplicity that are most wanted in this promising revolt of our time. For this simplicity is perhaps the only thing in which the best type of recent revolutionists have failed. It has been our sorrow lately to salute the sunset of one of the very few clean and incorruptible careers in the most corruptible phase of Christendom. The death of Quelch naturally turns one’s thoughts to those extreme Marxian theorists, who, whatever we may hold about their philosophy, have certainly held their honour like iron. And yet, even in this instant of instinctive reverence, I cannot feel that they were poetical enough, that is childish enough, to make a revolution. They had all the audacity needed for speaking to the despot; but not the simplicity needed for speaking to the democracy. They were always accused of being too bitter against the capitalist. But it always seemed to me that they were (quite unconsciously, of course) much too kind to him. They had a fatal habit of using long words, even on occasions when he might with propriety have been described in very short words. They called him a Capitalist when almost anybody in Christendom would have called him a cad. And “cad” is a word from the poetic vocabulary indicating rather a general and powerful reaction of the emotions than a status that could be defined in a work of economics. The capitalist, asleep in the sun, let such long words crawl all over him, like so many long, soft, furry caterpillars. Caterpillars cannot sting like wasps. And, in repeating that the old Marxians have been, perhaps, the best and bravest men of our time, I say also that they would have been better and braver still if they had never used a scientific word, and never read anything but fairy tales.